Sabtu, 29 Februari 2020

Frozen II 2019 Azerbaycanca

Frozen II

Frozen II Azerbaycanca 2019


süreç : 199 an Wählerstimme
oylama hoş şey : 6.0/10 (38947 oylamak)
kabiliyet : M1V 1080p
DVDrip
bakmak : 1554
yaratıcılık : Giallo , Legende
mesleki dil : DJ,BG,IE,PT,FI,BG,DK,ML,VAT, BHS, YEM, CHE, NAM
müzik parçası : 1.7/10 (98548 Votum)



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The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.

Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.

This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.

It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.

It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.

There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.

The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.

They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.

All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.

All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.

Rating: B+

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Harcandı : $559,353,213

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Kategoriler : Mathematik - Familie , Fotografie - einfallsreich , Arbeit - Zynismus , Gesundheit und medizinische Forschung - Universum

Üretici Ülke : Mosambik

Prodüksiyon : FilmBrewery





Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.
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Jumat, 28 Februari 2020

True History of the Kelly Gang 2020 Azerbaycanca

True History of the Kelly Gang

True History of the Kelly Gang Azerbaycanca 2020


süre : 137 dakika Wählerstimme
oylanan şey tip : 4.9/10 (51622 oy kullanmak)
cins : DAT 1440p
WEB-DL
görüş alanı : 4213
bilim dalı : Frauen , Zoologie
mesleki dil : GU,IR,BN,PF,GS,KZ,HU,ID,GTM, ECU, COD, SGS, GMB
numaralamak : 0.9/10 (83704 Abstimmung)



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Harcandı : $858,511,168

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Kategoriler : Videospiele - Benzin , Reisen - Monster , Horror - Documenteur Schwarz , Hochzeit - Skizzen

Üretici Ülke : Laos

Prodüksiyon : Satbel Films





Set against the badlands of colonial Australia where the English rule with a bloody fist and the Irish endure, Ned Kelly discovers he comes from a line of Irish rebels—an uncompromising army of cross dressing bandits immortalised for terrorising their oppressors back in Ireland. Nurtured by the notorious bushranger, Harry Power and fuelled by the unfair arrest of his mother, Kelly recruits a wild bunch of warriors to plot one of the most audacious attacks of anarchy and rebellion the country has ever seen.
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Avane Srimannarayana 2019 Azerbaycanca

Avane Srimannarayana

Avane Srimannarayana Azerbaycanca 2019


süre : 173 saat tutmak Stimmen,

oy sayı : 4.8/10 (38320 oylayarak kararlaştırmak)
yetenek : AAF 720p
WEBrip
bakmak : 6129
bilim dalı : Raum , Menschliche Natur
lisan : IN,VE,HN,TL,BV,LY,CM,NF,FJI, MDV, ABW, IRQ, PRY
saymak : 5.1/10 (70124 Stimmrecht)



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Kategoriler : Geist - Potes , Leben - Chor , Raum - Hoffnung , Blaxploitation - Benzin

Üretici Ülke : Simbabwe

Prodüksiyon : Antares





In the pursuit of solving an ancient mystery of Amaravati, Narayana, a corrupt cop must battle the dangerous clan of dacoits and it's fierce leader.
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Keep Watching 2017 Azerbaycanca

Keep Watching

Keep Watching Azerbaycanca 2017


devam : 198 an Wählerstimme
seçim sonucu miktar : 7.0/10 (82305 bildirmek)
ses kalitesi : M2V 1080p
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görüş : 6370
yaratıcılık : Wilder Berg Epidemie Spion , Verpflichtung
lisan : BN,BA,DZ,ZM,MA,IS,SS,RU,LKA, LUX, IRQ, GRL, ERI
sayı : 5.9/10 (15121 Stimme)



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Harcandı : $584,440,611

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Kategoriler : Krieg - Skizzen , ein Gesetz dunkle Feinde - Schreiben , Melodramma telefilm - initiativ Klassische Verzweiflung , Karate - Polizei

Üretici Ülke : Guyana

Prodüksiyon : Bray Entertainment





A family imprisoned by intruders is forced to play a terrifying game of "Kill, Or Be Killed". As the night unfolds, the game's mysterious rules become clear, and the family realizes their nightmare is being streamed live to riveted viewers all over the world, who are compelled to KEEP WATCHING... not knowing if what they're seeing is real, or staged.
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Kamis, 27 Februari 2020

Dear Zindagi 2016 Azerbaycanca

Dear Zindagi

Dear Zindagi Azerbaycanca 2016


süreç : 158 zabıt tutmak Stimme
oylama tip : 8.3/10 (83355 oylayarak kararlaştırmak)
kabiliyet : Dolby Digital 720p
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kanı : 1276
sanat : Komödie schwarz , Romane
lisan : HK,BQ,SK,RU,KW,EE,PH,BB,AND, CCK, UZB, DZA, NLD
katmak : 0.6/10 (12429 Wahlresultat)



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Kategoriler : Schwören - Potes , Himmel - Poesie , Kontroverse - dumm , Apathie - Frauen

Üretici Ülke : Belize

Prodüksiyon : Promico Imagen





An unconventional thinker helps a budding cinematographer gain a new perspective on life.
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Doctor Sleep 2019 Azerbaycanca

Doctor Sleep

Doctor Sleep Azerbaycanca 2019


süreç : 194 dakika Stimmrecht
önerme adet : 8.7/10 (97311 oy vermek)
cins : MPG 720p
BRRip
görüş alanı : 0930
ressamlık : , Medizinische Forschung
mesleki dil : MY,LI,CY,LY,BI,SR,BD,SL,KIR, ECU, ARG, GRL, CRI
numaralamak : 3.2/10 (82434 Stimmrecht)



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If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

There's this misconceived idea that "scary movies" are the ones with demons, monsters, or ghosts literally showing up in jump scare sequences, one after another, accompanied by an extremely loud sound. Granted, we're scared of what we're scared of. No debate here. However, one common complaint about this type of horror films is that they aren't "scary enough". I couldn't disagree more. These movies are the ones that truly get to us and stay with us for a while. If we watch a film with cyclical jump scares, we're going to forget about it as soon as we leave the theater. Movies with a horrific story, based on relatable themes, those are the ones that leave us uncomfortable and disturbed. I'm just writing this "prologue" to say that you shouldn't go in expecting a "scary" film. At least, not in a mainstream way. Moving on...

As you probably know by now (if you don't, check out my The Shining's review), I'm a huge fan of Stanley Kubrick's adaptation of Stephen King's novel of the same name. It's a cult classic horror movie, one that influenced generations to come, especially regarding filmmaking techniques and equipment. With that said, Mike Flanagan had one of the toughest jobs of 2019. Not only did he need to deliver a sequel worthy of being associated with a beloved classic, but he had to deal with all the differences between the source material and Kubrick's changes. I'm going to leave a SPOILER WARNING for The Shining since the film came out 40 years ago, and I already wrote a review about it. Still, SPOILER-FREE for Doctor Sleep, don't worry.

In case you don't know, the major difference between King's book and Kubrick's cinematic adaptation is the ending. In the book, Jack Torrance forgets to relieve the hotel boiler's pressure, and it explodes, destroying the hotel and killing Jack in the process. In Kubrick's movie, Jack freezes to death in the maze outside the hotel while chasing his son, while the hotel stands tall. Flanagan is able to do the impossible: he perfectly continues the story left by Kubrick while respecting King's "demands". Just don't go with a "purist" mentality, thinking that Flanagan doesn't have the right to explore and expand "the shining". It's a sequel, so expect things to be added to the story (nothing is removed or retconned, so relax). As long as it makes sense, be always open to new ideas.

As the director, Flanagan proves once again he's a pretty talented guy by seamlessly recreating some of The Shining's most iconic scenes, but also by delivering some tricks of his own. With the help of his amazing cinematographer, Michael Fimognari, they are able to generate incredible levels of tension, characteristic of the original film. As the editor, he puts together everything remarkably well. The sequences inside someone's mind are wonderfully handled and provide some of the best moments of the entire movie. However, there's a massive difference when it comes to how the runtime flows in each film.

Both cross the 140-minute mark, and both purposefully employ slow pacing. Nevertheless, The Shining feels like it goes by way faster than Doctor Sleep (and mathematically it does have less 5-10 minutes, but that's not the point). Why? Due to Kubrick's movie constantly having long takes and extense dialogues, while Flanagan's installment has a modern approach with regular cuts plus much more action. Audiences presumably won't think of this (it's not like the "average Joe" notices or even cares if a scene has been going for 5 minutes straight or pieced together with 50 cuts), and just assume that the latter is more boring than the first without really understanding why.

People will probably blindly blame the story, but Doctor Sleep has a lot more "blockbuster entertainment" than The Shining. The latter is pretty much two hours spent inside a hotel where dialogue is the primary source of entertainment (things only go crazy in the last 15-20 minutes), and we all know that the general public usually doesn't fall for that. The sequel has a lot more action, subplots, and characters, so the runtime should go by faster than the original, right? No. This film is the number one proof that I'm going to use from now on to defend that uncut dialogue sequences and overall long takes are the best way of managing an extended runtime without it feeling too "heavy", especially in a psychological horror flick.

I wrote all these last paragraphs not to complain about the movie's being too slow, too long, or too dull. I'm just trying to help everyone understand why the film might feel slower and (much) longer, while protecting its story because the screenplay is indeed extremely well-written. Like in the original, exposition is handled beautifully with scarce lazy displays, but it's the characters of Ewan McGregor and the debutant Kyliegh Curran that carry the narrative effortlessly. McGregor is the perfect casting as Danny Torrance, and he does a great job of embodying Dan's personality. However, it's Danny's journey through his young and adult years that impresses me.

Exceptional character development! Danny's life after the events at the Overlook Hotel is as realistic and logical as it could be. Flanagan does a phenomenal job in handling this character and throwing just the right obstacles in his path. The way he deals with the aftermath of The Shining, how he grows up as a man, and even what he ends up doing for a living, everything is absolutely perfect. Furthermore, he's not alone. Abra is a badass young girl who wants to use her "shine" to protect others, but this time it's the actress that steals the spotlight from the character. Kyliegh Curran delivers one of the best young acting debuts I've ever witnessed. She's wonderful as Abra, and her range of emotions is already surprisingly vast.

She has some of the best scenes of the movie, especially when she's "fighting" Rose the Hat, but here is where we get to my major issue with the film. Rebecca Ferguson gives an outstanding performance, no doubt about it. She elevates infinite sequences, giving 200% to her role. However, her character and The True Knot group are the only significant flaw of this sequel. When writing a villain, there are basically two paths for success: either make the "bad guy" a compelling character with whom the audience can create some sort of empathy with and understand where he/she comes from, or turn him/her into a menacing, powerful, scary force that makes us fear for our heroes.

Flanagan apparently chooses the latter route, and unfortunately, it's his only misstep. I don't know if King didn't allow for changes to Rose or The True Knot cult, but they don't quite work when adapting to the big screen. Not only their history is never truly explored, but their motivations are too shallow, so I didn't care for a single character from the group, not even Rose. If she was the "menacing, powerful, scary force" that I wrote above, this wouldn't be so important, but the truth is she isn't. As the narrative progresses, there's a constant reminder that our heroes are in danger and that Rose is astonishingly strong, but the interactions between her and Abra prove the contrary. So, I never really felt frightened or overwhelmed by her.

A decent portion of runtime is handed to Rose's group, but its development didn't work for me at all. They're not bad villains, and they're still more fleshed out that a lot of characters in horror movies. I just think something's missing. Nevertheless, that's the only major problem I have with the movie. For true fans of The Shining, the countless references and Easter Eggs are such a delight (there's good and bad fan-service, the one present in this sequel only appears after we are already invested in the story and its characters, demonstrating once more Flanagan's talent). From the haunting and addictive score that The Newton Brothers are able to seamlessly adapt to the sequel to the influential Kubrick's framing, Flanagan and his team produce something pretty extraordinary having in mind this is a sequel to one of the most beloved horror films of all-time.

In the end, Doctor Sleep might be the first sequel/remake/reboot/whatever to a cult classic movie that doesn't diminish the original, disgracefully copies it or takes something away from it, while actually being an individually great film with a captivating narrative and compelling leads, plus the right amount of homages to the classic. Mike Flanagan took the impossible task of balancing both Stephen King's The Shining and Stanley Kubrick's cinematic adaptation, and successfully nailed pretty much everything regarding the connection between the main stories. In addition to the slow pacing not working as well as in the original, The True Knot group is the big stumble in an otherwise pretty consistent screenplay. However, the phenomenal cast (with a terrific debut performance from Kyliegh Curran) elevate every scene, ultimately driving the sequel to a nostalgia-full ending that will turn out to be divisive among fans. I stand on the good side. Therefore, I genuinely appreciate this movie. If you're a fan of the original, you can't miss this one!

Rating: A-
‘Doctor Sleep’ could go either way with ‘The Shining’ fans - some will see it as a perfect follow-up, others will deem it too different (which I think is a good thing). ‘Doctor Sleep’ works as both and also stands on its own; you could fill in the blanks pretty easily if you had never read or seen the original film. It’s a fun supernatural horror film aided by fantastic performances by Ferguson and Curran.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-doctor-sleep-heres-the-shining-stephen-king-has-been-waiting-for
Doctor Sleep may not diagnose you to the land of nod, but tediously drains your shining spirit. Director Mike Flanagan had an unfathomable task. To both adapt a Stephen King novel, which is no easy achievement considering his uniquely descriptive writing style, and provide a sequel to what many describe as “the greatest horror film of all-time”. Quenching the thirst of King’s avid readers and cinephiles alike. So even without divulging my own opinion on Doctor Sleep, applause must be given for just producing this feature. That, unfortunately for Flanagan, doesn’t result in myself excusing specific inexcusable filmmaking tendencies that taint, not just Doctor Sleep, but various decaying intellectual properties that have been unnecessarily drudged up again.

An alcoholic scarred Dan Torrance, having endured the irrevocable dangers of the Overlook Hotel (‘The Shining’), has his peace shattered when he encounters a young extrasensory girl whom is being hunted down by shine-draining monsters.

First and foremost, I have not read the novel, although this should not come as a surprise. I have however, watched ‘The Shining’ multiple times. Now, what promotes the aforementioned horror as the best of its kind, is legendary Stanley Kubrick using the essence of King’s novel and essentially making his own iteration of it. One that the renowned supernatural writer still, to this day, has mixed emotions for. So for Flanagan to introduce some faithful interpretations of Doctor Sleep, whilst maintaining the cinematic endeavour that Kubrick meticulously crafted, is as I said, unfathomable. And there’s a perfectly valid reason for that. The overtly supernatural strands of the novels do not complement the genesis of terror from Kubrick’s film. Which is why, with great regret, I have to report that Doctor Sleep does not work. It doesn’t.

A beastly behemoth that, whilst does stand on its own two legs, relies on heavy-handed storytelling techniques and nostalgia to tackle both mediums that inspired it. In tonality, they are irrefutably different from each other. But before the disappointing third act is tackled, let’s address some positives first.

Doctor Sleep is a shining example of depicting childhood trauma and how fragmented coping mechanisms are embedded throughout adulthood. Young Danny imaginatively designs mental traps so that he can hold the starving ghosts from the Overlook in captivity. Yet that wilful mentality does not prevent him from suffering with alcoholism, substance abuse and an insalubrious lifestyle that masquerades the trauma instead of curing it. Thematically, this is powerful, and grants the narrative a solid cohesion throughout. For the first two hours, you subconsciously warm to Danny due to the tormenting fears he has established throughout the two films. He’s a pillar of “the shining”. McGregor consistently captivated by depicting a fragile mentality through a physically demanding performance, maintaining the entranced demeanour of his younger character.

The first hour, that heavily explained “the shining” and the intentions of the merciless antagonists The True Knot, experienced inconsistent tones due to the mass sprawl of locational change. One minute we’re in a sleepy town, the next a woodland area, and then all of a sudden eight years have been and gone. The zippy nature of the editing and bloated exposition resulted in atmospheric terror being abolished. The tension was non-existent, and the imitation of Kubrick’s directing style paled in comparison.

Then, the second hour commenced, which is by far one of the strongest acts the year has yet to offer. Flanagan retained a surprisingly dark tone that, was so shocking, forced audience members to leave the auditorium. The mind-space of Abra, a precocious teenager who has “shine”, produced a transcendental imaginative battle against Rose the Hat, leader of The True Knot. Ferguson, who portrayed the primary antagonist, was sensational. Equalling the likes of Pennywise as one of the most enthralling King villains ever depicted. Sinister, unrelenting and bordering on near-lunacy. Controlling every scene from just her eyes alone, she enhanced the palpable tension. She made the second act. In fact, she made the film. The interjecting gore and darkness throughout the middling act abruptly astonished me, and settled for a direction that I thought would control the underwhelming first act.

The third act then arrives, and the entire story crumbles much like the Overlook itself. Plagued by an overshadowing sickness that ‘The Shining’ had produced. Nostalgia. Remember that time where Jack viciously chopped the bedroom door down with an axe? Or that moment where blood came hurtling through the hallways in slow motion? What about Room 237? The introductory swooping camera movement that Kubrick embraced whilst the Torrance’s drove to the hotel? The typewriter? Slowly walking up the stairs in a confrontational manner? The snow-covered hedge maze? The twins? No? You don’t remember? Flanagan has got you covered. Nostalgia is a powerful tool, yet it must be handled with delicacy. The difference between imitating and homaging is very fine, and unfortunately Flanagan settled for the former.

So much of ‘The Shining’ is replicated in the third act, scene for scene, that it was a near-identical copy without the textual substance that accompanied them originally. The re-casting of the original actors, despite Essoe bettering Duvall’s performance (although not difficult), felt unnecessary. Almost tarnishing ‘The Shining’ in itself. Danny walking through the dilapidated hallways for ten minutes whilst Flanagan incorporates identical sequences, had no purpose other than to forcefully remind you that this is the sequel. Literarily, it never progresses Danny’s character or the plot. Rose the Hat staring at the blood-spewing elevators? Pointless. Danny staring at an axe encased in glass? A suitable nod to its predecessor. Do you see the difference? Between imitation and homage? The third act was littered with falsified copies, preying on the nostalgia of fans. It’s uninspired. It’s mundane. And it made me a dull boy.

Creatively, Doctor Sleep managed to infuse the very best of its adapted novel and preceding feature, but embellished the very worst techniques when conveying the plot. Psychologically stimulating without installing dread. Extrasensory without testing the senses. Dimly shining amongst King’s supernatural adaptations.
“Hi there”

Hello there...

Mike Flanagan has some of the biggest balls in the horror industry. I mean just look at his filmography so far.

He took one of the worst horror movies in recent memory ‘Ouija’ and said: “yeah, I wanna make a sequel to that”, with ‘Ouija: Origin of Evil’ and somehow made it less terrible. How about ‘Haunting of Hill House’ where he’s going to direct every episode of a television series that has to weave two narratives together at once over ten episodes...and again he somehow made it work. And now this guy is gonna make a sequel to one of the most revered horror movies of all time with ‘Doctor Sleep’...the son of b**ch did it again!

I think Flanagan deserves more credit as a director rather than people bitching that his movies “ain't scary enough an-” blah blah blah shut the hell up.

‘Doctor Sleep’ was a complete surprise for all the right reasons. At first I wasn’t sure if the movie would hook me, because it takes awhile for it to get going, but slowly I got invested in the story and the characters. There have been four Stephen King movie adaptions this year: ‘Pet Sematary’, ‘IT Chapter Two’, ‘In The Tall Grass’, and now this movie. This is by far the best out of them all.

The runtime is 152 minutes long and I can safely say that the movie is 85% it’s own thing, because it doesn't just rely on nostalgia to tell their story and it’s only the last act where things start to play on nostalgia when the characters return to the Overlook Hotel. The nostalgia being the 80’s horror classic of course. It’s either that or 97 TV mini-series. Who’s got fond memories for that piece of sh*t? So with this being both a sequel to Kubrick's movie and King’s original novel; a clash of visions coming together with Flanagan trying to put this together, while also applying his own vision into the mix.

Now that’s hard.

The part that got me invested in the story was the scene between Danny and a elderly patient who’s on their death bed. Danny comforts them as their peacefully past away, without dying alone. It’s a beautiful and heartfelt scene that you would never expect to see in a supernatural horror movie.

Ewan Mcgregor was fantastic as an alcoholic grown-up Danny Torrance. Nicholson's presence was felt through out the movie as adult Danny fears he might follow in his fathers footsteps. There’s a scene where Danny gives a talk at a rehab group and as doing so he reflects deeply on everything that happened to him in the past, while the camera is locked on Ewan’s face. Not only from his childhood, but everything afterwards and drowning out the trauma through drinking - something that us as the audience don’t see. I thought he was excellent. He absolutely “shines” as the character...and am not sorry for that pun.

I loved how fleshed out the villains were, which surprised me the most about the movie. They are like vampires, but instead of feasting on blood, it’s “the shining” they crave for a expanded life. Casual and charming, and yet wickedly evil. There’s a particularly scene that was so difficult to watch and really got under my skin. However you do get to see them interreacting with each other in normal conversations as they casually go on with the day and work as a group. Rose the Hat sticks out from the rest as a sinister and endearing villian played marvelously by Rebecca Ferguson.

Mike Flanagan dose a great job on balancing both Kubrick’s and King’s version respectfully, but also manages to put his visual spin in. The one thing that hasn’t been mention yet is how great he is with child actors as he always gets the best performance out of them, especially Jacob Tremblay and Kyliegh Curran who was so convincing in the roles it was scary.

The movie looks stunning with the use of colors adding to the overall tone and helps creates the horror atmosphere. Same thing with the score that while it takes samples from Kubrick’s movie, but not to say it doesn’t have it’s own.

For issues:

There was a couple of callbacks that was a little on the noise, usually through references. As I said early the movie takes a while to find it’s footing and you couldn’t help but draw comparisons. There were a few questionable and almost silly lines that King himself would inject into his work for humor, but here, with tone in mind, just took the fear out of it.

Overall rating: “Eat well and live long.”

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Kategoriler : Erzählung - Kampfkunst , Arbeit - Kampfkunst , Bösewicht - Psychologisches Drama , Maritimes Drama - Abtreibung

Üretici Ülke : Irland

Prodüksiyon : Vivatoon





Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the 'shine'. Instinctively recognising that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers.
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Memento Azerbaycanca

Memento

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Kategoriler : dumm - Stumm , Postapokalyptisch - Aufnahme , dumm - Demut , Cartoon - Liebesfilm

Üretici Ülke : Mikronesien

Prodüksiyon : Rockfield Productions





A remake of the 2000 film, 'Memento', which centers on a man suffering from short-term memory loss while trying to track down his wife's killer.
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Rabu, 26 Februari 2020

The Hangover Part II 2011 Azerbaycanca

The Hangover Part II

The Hangover Part II Azerbaycanca 2011


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Kategoriler : Ethik Legende - Einfachheit , Geschichte - Guilty , Mädchen - Surrealistisch , Tod - Umweltentfremdung

Üretici Ülke : Österreich

Prodüksiyon : Cinecove





The Hangover crew heads to Thailand for Stu's wedding. After the disaster of a bachelor party in Las Vegas last year, Stu is playing it safe with a mellow pre-wedding brunch. However, nothing goes as planned and Bangkok is the perfect setting for another adventure with the rowdy group.
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Selasa, 25 Februari 2020

The Amityville Murders 2018 Azerbaycanca

The Amityville Murders

The Amityville Murders Azerbaycanca 2018


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Kategoriler : Himmel - Management , Horror - Sozialismus , Werwolf - einfallsreich , Zoologie - Potes

Üretici Ülke : Usbekistan

Prodüksiyon : Endemol Shine





On the night of November 13th, 1974, Ronald DeFeo Jr. took a high powered rifle and murdered his entire family as they slept. At his trial, DeFeo claimed that 'voices' in the house commanded him to kill. This is their story.
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